Hi, please help! If anyone can answer my question, I would greatly appreciate it! My gf loves Mia Wallace's shoes as seen on the DVD cover of the film. You know, the black stiletto pumps? What is the make and model of these awesome shoes? Does anyone know where I can buy them or exact copies? Thank you for any help whatsoever!
Thanks!
-John
After seeing the movie in theaters last night, my friend and I are having a disagreement. Is Uma [Mia Wallace] wearing a wig, or is it a cut and dye?
Thanks!
Do you know where I can find the UCSC banana slug shirt in the LA area? It's the one that Vincent was wearing in the last few scenes of Pulp Fiction.
Jimmie
"Don't you fucking realize, man, that if Bonnie comes home and finds a body in her house, I'm going to get divorced? Alright, no marriage counselor, no trial separation. I'm going to get fucking divorced, OK? And I don't want to get fucking divorced. Now, man, you know, fuck, I want to help you but I don't want to lose my wife doing it, all right."
The "What does Marsellus Wallace Look Like" scene in Pulp Fiction portrayed using nothing but typography.
Jules, Vincent, Marvin, Brett, Roger (Flock of Seagulls), and The Fourth Man (shooter in closet) in the legendary Hamburger Scene.
Vincent and Jules discuss miracles at the Hawthorne Diner in LA. God got involved.
Vincent Vega accidentally shoots Marvin the Snitch in the face and Jules Winnfield gets pissed off for fucking up his car and his hair.
Has anyone else ever noticed that Maria de Medeiros who played Fabienne looks like the female in the cover art of the Modesty Blaise book Vincent was reading? Just wondering. - C
“You are such a poseur and a lame-o for using a song another movie has already christened", remarked Tarantino at the time of this release.
The Pulp Fiction soundtrack is rife with great music and quotes from the seminal film. It remains one of the best listening experiences of all time.
Rob Ager, the film critic behind collativelearning.com gives an in-depth analysis of The Gold Watch scene in Pulp Fiction. He uses video and narrative to build a case that much more symbolism and story is being transmitted than first meets the eye.
Anyone with more than a casual interest in the film will appreciate Mr. Ager's analysis as it will give the viewer even more to think about during subsequent viewings of the film. Nicely done!
"On a balmy September afternoon in Atwater Village, an art department crew takes measurements at an automotive shop at the corner of Fletcher Drive and Atwater Avenue. It’s a familiar scene for production designer David Wasco, set decorator Sandy Reynolds-Wasco, and location manager Bob Craft as they observe from a blue picnic table across the street at Fosters Freeze."
