Pick a topic...
Music Style--HOUSE
Audience: Platinum American Express cocaine crowd.
Attire: Sophisticated gals in tight-fitting black lycra and open-shirted
fellows sporting gold medallions. Also big among the gay community where
shirts are usually off.
Motions: Bumping and grinding. Always sweaty.
Sex Status: Everyone likes to "do it" here. A veritable meat market.
Get Laid?: 10 outta 10
Music Style--JUNGLE/D&B
Audience: Fed-up ex-ravers and hyperactive Hip-Hop heads. Relatively young,
more popular with girls than most forms of electronic music.
Attire: Hip-Hop meets rave goes for a skate and then joins the Army.
Motions: Flipper-like motions of the hands with a few moves collected from
watching Beat Street. Circle dancer meets MC Hammer.
Sex Status: Jungle, like other forms of bass-heavy music, is very sexy.
Get Laid?: 6 outta 10
Music Style--TECHNO
Audience: Dudes who've been in the rave scene way too long.
Attire: What I came in.
Motions: Leaning against the wall discussing why Techno is superior to every
other form of music on the planet.
Sex Status: Too busy talking about Techno to notice.
Get Laid?: 3 otta 10
Music Style--HARDCORE/GABBER
Audience: Tweeked out teens. Predominantly frustrated males. Also popular
with serial killers.
Attire: Multiple piercings, wife-beater shirts, baggy trousers, and short
hair.
Motions: Vigorous jumping up and down, pogo'ing, and speaker fucking.
Sex Staus: Stuck midway through adolescent masturbatory phase. Anxious and
feverish dance style suggests an urgent need to get laid.
Get Laid?: 0 outta 10 (only a mother could love these guys)
Music Style--GOA/PSYCH TRANCE
Audience: Crusties and anti-establishment trust fund babies
Attire: Matted dreadlocks, tie dye, and sandals remain popular. A faint whiff of Nag Champa is usually evident.
Motions: Hippie dance style reminiscent of '60s exploitation movies. Crazy
arms motions and rubbery legs usually point to excessive LSD intake.
Sex Status: Attractive to each other. Hose down before use.
Get Laid?: Depends on the phase of the Moon.
Music Style--PROGRESSIVE HOUSE/TRANCE
Audience: University students and candy ravers.
Attire: 'E' friendly apparel, including fluffy backpacks, glitter,
pacifiers, and anything resembling a Dr.Suess character.
Motions: Hands in the air. Eyes rolling back. Occasionally slumped against
the wall.
Sex Status: No thanks...we're in it for the music. Hugs welcome.
Get Laid?: Males: 2 outta 10 (too busy trainspotting), Females: 6 outta 10
(they look great...to dirty old men)
This is a mix of thoughts and feelings provoked by many of the recent SFR threads, but it does not directly relate to any of them.. sit back.. relax and enjoy the ride.
So much of what we get out of life seems to be a direct result of
how we relate to others.. and how they relate and react to us in
return..We often get frustrated with those around us.. trying to understand where they are coming from.. trying to find some common ground but seeming to fail miserably so much of the time. How often have you heard phrases like: "Women are so confusing..." or "Men don't make any sense.." uttered by someone desperately trying to understand the opposite sex? Some people never even get that far.. they are so afraid of what they might find if they explore the infinite diversity of shapes and attitudes that people come in that they insulate themselves from all things different.. frantically trying to prove their dominance... hiding their fear behind a façade strength. They
lash out at those things the fear.. forgetting that that fear is not
in the object they are attacking..it is inside them.
The world is a different place to a young child.. everything is new.
There is nothing quite like the first time we encounter something new... In fact, this is the only time that we really see it for what it is. We have no name for it.. no label, if you will. What is it? what is its purpose? We have so many questions. Later, after we have learned its name.. we lose a part of what it is.. all we see now is the name and not what is behind it. An example:
Everyone close you eyes and picture a flower in your mind.. go into as much or as little detail as you like.. Right now.. all 480 or so list members are each picturing what a flower is in their mind... and I can guarantee you that they are all different.. we each have a different experience of what a flower is, and that experience shapes how we see a flower. Luckily a flower is a physical object.. we can all go pick one out of the garden.. and pretty much agree on whether it is a flower or not. All things are not, however, so clear... when we are dealing with abstractions like 'Love' or 'Hate' or 'Good', we
have no physical object to base our view of what it is on. You can't go down to the store and pick up a pound of Love on sale for $3.98 a pound. and if everyone on the list had a different view of what a flower is.. think how radically different our views are on what 'Love' is.
... Getting back to the label thing now... another example with the flower again: If someone says "I got some flowers.." What does this tell you about what they got? I don't just mean whether they got roses or daisies either.. these are also just labels. How many petals did they have? What colors were they? What did they smell like? How did they make you feel? When you attach a label to something some of the detail.. some of what is important is lost.
There is always a fear, an uncertainty, inside us. It is very easy to look at the world and see all the ways that we have been wronged by it. It seems we always have to look out for people who seem to be unfairly judging us.. attaching their labels to us, and not really seeing who we are. We do it ourselves.. it is almost as though we can't help it. We learn by associating new things we encounter with those we already know. Besides.. Who has the time to get to know each and every person anyhow?
The thing that we forget though, is that despite our infinite
diversity, there are common threads of humanity running through each of us. Just as we are afraid of being judged by others, they too are afraid of us judging them.. the distance between us grows as little by little we build walls so sure that they are going to attack us...In reality they are waiting just as desperately as we are for someone to fill the gap
between us. It is not judgment you see in the eyes of those around you, it is need.. a need to be noticed and cared about.
People want to be able to tell their stories.. One time an older man very drunk.. and still drinking came up to me at abut 3am while I was waiting for MUNI at a bus stop.. he was singing a bit.. and I joined him in a few lines of "Las Mananitas" (it's amazing what you can learn in High School spanish classes ;-)). And while waiting for the bus, which was late as usual, and didn't end up showing up for a couple of hours we talked. He told me about Mexico and how living there affected him.. and made him who he was today... we started discussing politics.. and I learned a thing or two about why the mexican people do not have the voice that they should... I could have reacted very differently to this strange drunk mexican coming up to me at three in the morning and I would have missed out on all that he had to offer. When the bus finally did come, he thanked me for staying to talk with him... but there was no need. The pleasure had been all mine.
-Faro
Mulder: We're too late. It's already been here.
Scully: Mulder, I hope you know what you are doing.
Mulder: Look, Scully, just like the other homes: Douglas fir, truncated, mounted, transformed into some sort of shrine; halls
decked with boughs of holly; stockings hung by the chimney,
with care.
Scully: You really think someone's been here?
Mulder: Someone or some THING.
Scully: Mulder, over here -- it's fruitcake.
Mulder: Don't touch it! Those things can be lethal.
Scully: It's O.K. There's a note attached: "Gonna find out
who's naughty and nice."
Mulder: It's judging them, Scully. It's making a list.
Scully: Who? What are you talking about?
Mulder: Ancient mythology tells of an obese humanoid entity
who could travel at great speed in a craft powered by
antlered servants. Once each year, near the winter solstice,
this creature is said to descend from the heavens to reward
its followers and punish its disbelievers with jagged chunks of anthracite.
Scully: But that's legend, Mulder -- a story told by parents
to frighten children. Surely, you don't believe it?
Mulder: Something was here tonite, Scully. Check out the bite
marks on this gingerbread man. Whatever tore through this plate
of cookies was massive -- and in a hurry.
Scully: It left crumbs everywhere. And look, Mulder, this milk
glass has been completely drained.
Mulder: It gorged itself, Scully. It fed without remorse.
Scully: But why would they leave it milk and cookies?
Mulder: Appeasement. Tonight is the Eve, and nothing can stop
its wilding.
Scully: But if this thing does exist, how did it get in? The
doors and windows were locked. There's no sign of forced entry.
Mulder: Unless I miss my guess, it came through the fireplace.
Scully: Wait a minute, Mulder. If you are saying some huge
creature landed on the roof and came down the chimney, you're
crazy. The flue is barely six inches wide. Nothing could get
through there.
Mulder: But what if it could alter its shape, move in all
directions.
Scully: You mean, like a bowl full of jelly?
Mulder: Exactly. Scully, I've never told anyone this, but when I
was a child my home was visited. I saw the creature. It had long
white strips of fur surrounding its ruddy, misshapen head. Its
bloated torso was red and white. I'll never forget the horror. I
turned away, and when I looked back it had somehow taken on the facial features of my father.
Scully: Impossible.
Mulder: I know what I saw. And that night it read my mind. It
brought me a Mr. Potato Head, Scully. IT KNEW I WANTED A
MR. POTATO HEAD.
Scully: I'm sorry, Mulder, but you're asking me to disregard the
laws of physics. You want me to believe in some supernatural being who soars across the skies and brings gifts to good little girls and boys. Listen to what you are saying. Do you understand the repercussions? If this gets out, they'll close the X-files.
Mulder: Scully, listen to me: It knows when you are sleeping. It
knows when you're awake.
Scully: But we have no proof.
Mulder: Last year, on this exact date, S.E.T.I. radio telescopes
detected bogeys in the airspace over twenty-seven states. The
White House ordered a Condition Red.
Scully: But that was a meteor shower.
Mulder: Officially. Two days ago, eight prized Scandinavian
reindeer vanished from the National Zoo in Washington, D.C. Nobody - not even the zookeeper - was told about it. The government doesn't want people to know about Project Kringle. They fear that if this thing is proved to exist, then the public would stop spending half its annual income in a holiday shopping frenzy. Retail markets will collapse. Scully,they cannot let the world believe this creature lives. There's too much at stake. They'll do whatever it takes to insure another silent night.
Scully: Mulder, I --
Mulder: Sh-h-h! Do you hear what I hear?
Scully: On the roof. It sounds like . . . a clatter.
Mulder: The truth is up there.
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